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A La Carte Solos from "Violent Tenor Cream"
Top tenor solos & ensembles ranging from sick & twisted to clinically insane!
by Various Artists (compilation)
Level: Crazy insane!
Personnel: Solo
Our price: $8.99
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Description:
Pick and choose solos or ensembles from your favorite quad gods. These are the pieces from the awesome new collection "Violent Tenor Cream," available a la carte for immediate download.
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A Midsummer Night's Dream: Scherzo
for mallet ensemble
by Felix Mendelssohn, arr. Brian Slawson
Level: Med-Advanced
Personnel: 12 Percussionists
Our price: $40.00
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Description:
Mendelssohn composed the incidental music for Shakespeare’s "A Midsummer Night’s Dream" at the behest of King Frederick of Prussia while serving as music director at the Academy of Arts in Berlin. Now, Brian Slawson brings forth a brilliant percussion arrangement of the “Scherzo,” a movement that underscores the antics of Puck, a clever jokester in the magical world of...
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Adagietto
from Symphony No. 5
by Gustav Mahler, arr. Jeffrey D. Grubbs
Level: Medium
Personnel: 5 Percussionists
Our price: $30.00
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Description:
The fourth movement of Mahler's Symphony No. 5 is commonly known as the "Adagietto," and is arguably his most famous single piece of music. This piece would make for a satisfying addition to concert programs that wish to demonstrate the lyrical capabilities of percussion.
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Alarm!
for percussion septet
by Brian Blume
Level: Med-Easy
Personnel: 7
Our price: $35.00
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Description:
Alarm! is intended for the developing middle school and high school batterie percussion ensemble. Extreme dynamics and rhythmic melodies give the piece its unique flavor. A visual element is also present in the orchestrations.
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Alborada del Gracioso
for percussion ensemble
by Maurice Ravel, arr. James Ancona
Level: Advanced
Personnel: 9 Percussionists
Our price: $45.00
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Description:
This percussion ensemble arrangement of Alborada del Gracioso recreates the colorful and vibrant work of Ravel's original. Originally written in 2001 and premiered by the Santa Clara Vanguard percussion ensemble, this arrangement will challenge performers and engage audiences with its accessible Spanish flair.
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Ballet for Bouncing Balls
for percussion quintet
by Montgomery Hatch
Level: Medium
Personnel: 5 Percussionists
Our price: $30.00
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Description:
Composed with the idea that rhythmic patterns can be seen as well as heard, Ballet for Bouncing Balls is a creative and fun new work by New York City Opera percussionist Montgomery Hatch. Literally comprised of the various sound effects of balls bouncing on the floor, the piece employs five players who use a creative array of techniques including dribbling, slapping,...
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Bateria
for solo timpani
by Darin Kamstra
Level: Medium
Personnel: solo
Our price: $15.00
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Description:
Take a ride down to Brazil with this fun timpani solo that centers around the rhythms and patterns of Samba Batucada!
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Beyond Basic Percussion
10 Beginning Percussion Ensembles
by Eric Rath & Ralph Hicks
Level: Easy/Medium
Personnel: 4-10 players
Our price: $89.00
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Description:
A creative, practical, and fun collection of ten beginning-level percussion ensembles with accompanying DVD of multicamera performances, playing techniques, audio files, and more. A wonderful resource for band directors and percussion instructors with young students!
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Big Country
for percussion ensemble and rhythm section
by Béla Fleck, arr. Olin Johannessen
Level: Med-Advanced
Personnel: 8-10 Percussionists
Our price: $40.00
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Description:
Big Country is a catchy and inspired composition by world renowned banjo picker and jazz musician Béla Fleck from the album Left of Cool by Béla Fleck and the Flecktones. Its simple melody encapsulates the folksy sound of Americana, and Olin Johannessen's arrangement wonderfully captures this through his scoring for percussion ensemble. As he states in the performance notes,...
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Blade
for solo multipercussion
by Benjamin Finley
Level: Advanced
Personnel: Solo Percussionist
Our price: $16.00
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Description:
Blade is a multipercussion solo that requires coordinated independence relentlessly! Written for an abbreviated drumset (played while standing) and complemented by three semi-resonant metals of the performer's choosing, the piece uses a series of hemiola-driven rhythmic gestures to weave a complex tapestry of percussive sound.
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